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Kate (Kathleen)
Username: Kathleen

Registered: 09-2009
Posted From: 93.96.181.75
Posted on Thursday, September 24, 2009 - 09:53 am:   

A Blind Gecko on the Crystal Balcony

Directed by Ovidio Massaprodussi

A dancer who has been accused of a crime vanishes out of a seemingly-locked room. A mad detective is mistaken for someone else by the perpetrator of the disappearance. Ultimately he finds and kills the real criminal, but decides to continue the monstrous crimes himself.
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Kate (Kathleen)
Username: Kathleen

Registered: 09-2009
Posted From: 93.96.181.75
Posted on Thursday, September 24, 2009 - 09:54 am:   

or maybe:

Love is a Cruel Shadow with One Red Eye

Directed by Fulvio Lucci

An American politician's wife is poisoned; her body then disappears, and turns up mutilated in the style of a killer who terrorized the neighborhood several hundred years ago. A nanny inadvertently picks up the one piece of evidence that will solve the killing. The crime turns out to have been a hoax calculated by her lover to drive her insane.
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Kate (Kathleen)
Username: Kathleen

Registered: 09-2009
Posted From: 93.96.181.75
Posted on Thursday, September 24, 2009 - 09:55 am:   

from Braineater's DIY Giallo generator:

http://www.braineater.com/misc/giallo.html
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Stephen Walsh (Stephenw)
Username: Stephenw

Registered: 03-2009
Posted From: 194.32.31.1
Posted on Thursday, September 24, 2009 - 10:59 am:   

Let's play what's the best non-Argento/Bava giallo you've ever seen.

For me probably 'The Case Of The Bloody Iris' (1972) directed by Giuliano Carnimeo.

I'm a hopeless Italian cinema nut and consider it the best in the world! Everything from their arthouse cinema and neorealist masterpieces to the spaghetti westerns and those brilliant poliziotteschi thrillers of the 70s with the horror genius of Bava & Argento, etc. being the icing on the cake for me.

They have a natural flair for marrying stunning cinematic imagery to high melodrama backed by emotionally powerful scores that gets me every time.

Somehow the Italians turn lack of subtlety into a virtue. Their cinema tends to go for the big emotions first making them the natural heirs of silent cinema imho.
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John Llewellyn Probert (John_l_probert)
Username: John_l_probert

Registered: 03-2008
Posted From: 194.176.105.47
Posted on Thursday, September 24, 2009 - 03:44 pm:   

Lots of serious spaghetti fans here Stephen. And not so serious. Here's my giallo from the generator posted above by my good Lady P:

Death Squeezes the Rubber Duck

Directed by
Sergio & Martino de Alberto

An attractive girl is killing off the members of a certain business organization in a church. An American priest discovers the murder. He kills the maniac in self-defense, but is mistakenly blamed for all the crimes by the police and arrested

My favourite non-Argento / Bava giallo? Difficult one but I like Emilio P Miraglia's double bill of 'The Night Evelyn Came out of the Grave' and 'The Red Queen Kills Seven Times'

My own personal giallo title?

'Your Tights Are A Locked Room & I Have the Key'

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Weber_gregston (Weber_gregston)
Username: Weber_gregston

Registered: 03-2008
Posted From: 194.176.105.47
Posted on Thursday, September 24, 2009 - 04:03 pm:   

Black Cat with Teeth of Glass
Directed by
Xerxe Silveri

A musician is strangled. His twin finds a letter that contains some unknown details about the the killing; and she is caught in a deadly game of cat and mouse with a maniac.
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Kate (Kathleen)
Username: Kathleen

Registered: 09-2009
Posted From: 93.96.181.75
Posted on Thursday, September 24, 2009 - 04:05 pm:   

Exploitative 1970s WiP version:

Black Cat, White Mouse
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Zed (Gary_mc)
Username: Gary_mc

Registered: 03-2008
Posted From: 81.96.240.106
Posted on Thursday, September 24, 2009 - 04:25 pm:   

A Worm in Porcupine Skin
Directed by Zazuma Xisco

In 1970s Rome, a mute black leather glove manufacturer discovers the grim secret behind the famous tanning plant supplying raw material for his products.

(Yea, yeah...so I just made the one up)
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Craig (Craig)
Username: Craig

Registered: 03-2008
Posted From: 75.4.255.217
Posted on Thursday, September 24, 2009 - 04:26 pm:   

My favorite giallo remains the late, slick, decadent, genre-crossing obvious-choice but still totally re-watchable DEEP RED....
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Tony (Tony)
Username: Tony

Registered: 03-2008
Posted From: 213.122.108.128
Posted on Friday, September 25, 2009 - 07:45 am:   

A Blind Lizard in a Field of Lilacs
Directed by
Franco Franco

A medium vanishes in front of hundreds of witnesses on a busy street. A musician is a witness to the the mystery; and when another person is found murdered, he discovers that the presumed victim, the medium, is in fact a maniacal killer, and is still on the loose!

These actually sound good. Export this programme to hollywood!
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Tony (Tony)
Username: Tony

Registered: 03-2008
Posted From: 213.122.108.128
Posted on Friday, September 25, 2009 - 07:49 am:   

'Somehow the Italians turn lack of subtlety into a virtue'
- that's why I don't mind Dan Brown's mad sentences. Somewhere in the daftness is the well of creativity.
(I've made up at least four words for this book I'm working on. It feels great.)
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Stephen Walsh (Stephenw)
Username: Stephenw

Registered: 03-2009
Posted From: 194.32.31.1
Posted on Friday, September 25, 2009 - 12:17 pm:   

By lack of subtlety I mean the operatic bombast of their films. To get this to work as cinematic spectacle requires technical expertise and artistic fine tuning of the very highest calibre. I for one believe great cinema like great literature or classical music should be larger than life and attack the senses and the emotions. Italian cinema is GREAT, Dan Brown is shit...
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Stephen Walsh (Stephenw)
Username: Stephenw

Registered: 03-2009
Posted From: 194.32.31.1
Posted on Friday, September 25, 2009 - 12:20 pm:   

'Tenebrae' would be my all-time fav giallo and Argento's masterpiece imho.
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Weber_gregston (Weber_gregston)
Username: Weber_gregston

Registered: 03-2008
Posted From: 194.176.105.47
Posted on Friday, September 25, 2009 - 12:22 pm:   

The problem with Dan Brown's "Well of Creativity" is it tends to belong to other people. Holy Blood and The Holy Grail being the most obvious pot he dipped into to completely rip off someone else's story.

So dire writing and no original thinking = a dreadful writer.
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Craig (Craig)
Username: Craig

Registered: 03-2008
Posted From: 75.5.3.105
Posted on Friday, September 25, 2009 - 04:08 pm:   

TENEBRAE is a close second for me. But there's, I feel, many truly iconic moments in DEEP RED, for all its flaws, that just reward constant replaying. TENEBRAE has the grotesque spectacle of sheer lunatic violence going for it, but DEEP RED creeps under the skin, freaking you out, even when it's not being murderous....
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Tony (Tony)
Username: Tony

Registered: 03-2008
Posted From: 213.122.108.128
Posted on Friday, September 25, 2009 - 07:30 pm:   

Are people deliberately misunderstanding me? I'm not talking about Brown per se, I'm talking about how fumbling can sometimes grasp. I'm talking about how a lack of skill can reach genius levels. Like the ODD sentence of Brown.
Oh, I'm alone...
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Stephen Walsh (Stephenw)
Username: Stephenw

Registered: 03-2009
Posted From: 82.4.18.104
Posted on Saturday, September 26, 2009 - 12:40 am:   

So alone...

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